PDF Download The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever, by Alan Sepinwall
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The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever, by Alan Sepinwall
PDF Download The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever, by Alan Sepinwall
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About the Author
Alan Sepinwall has been writing about television for close to twenty years. Formerly a TV critic for the Newark Star-Ledger (Tony Soprano's hometown paper), he currently writes the popular blog What’s Alan Watching? on HitFix.com. Sepinwall's episode-by-episode approach to reviewing his favorite TV shows, "changed the nature of television criticism," according to Slate, which called him, "the acknowledged king of the form." Visit AlanSepinwall.com.
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Product details
Paperback: 400 pages
Publisher: Gallery Books; Reissue edition (May 21, 2013)
Language: English
ISBN-10: 1476739676
ISBN-13: 978-1476739670
Product Dimensions:
5.5 x 1 x 8.4 inches
Shipping Weight: 13.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
190 customer reviews
Amazon Best Sellers Rank:
#61,734 in Books (See Top 100 in Books)
The Revolution was Televised by Alan Sepinwall is a clever look at twelve television shows that transformed the medium. Spanning from the late 1990’s and Buffy the Vampire Slayer to the end of Mad Men in 2015, the lengthy essays cover some of television’s greatest hits.The shows in the spotlight (and spoiled) are The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men and Breaking Bad. Peppered with interviews, the environment that fostered the creation of these ground-breaking shows is examined in detail. Other great programs are covered, but not in the detail of the big twelve.The author makes it clear that the Wild West environment that allowed creative visions a greater audience have moved from the premium cable channels to the streaming companies.A fascinating read for fans and story-tellers alike. Highly recommended.
I'll preface this review by saying I'm a bit of a television junkie which means I was probably predisposed to like this book before I purchased it. However, I do believe that even if you are just a casual television watcher, you will enjoy this book quite a bit. It is, at its heart, a discussion by the author of how some specific television shows changed the way shows were made and how audiences' expectations for television were changed by them. The shows are all recent [almost all from 2000 on (except for Buffy which began in the 90's but ended in the 00's)].The book is not stuffy or endlessly philosophical but an engaging and detailed synopsis of how each show came to be, what its creators intended for it, slip-ups along the way and their eventual ending.You don't need to have watched every show that is discussed in this book. I, for example, didn't watch either The Sopranos or The Wire when they were on. I've seen the occasional episode but could never really get "into" either of those shows. That didn't stop me, however, from enjoying the chapters on those two shows. In fact, I've decided to rent episodes of The Wire and give that show another shot after reading that particular chapter. The author enjoyed some pretty enviable access to show creators and you find yourself wishing you could have been in on those interviews.The only beef that I have with the book (and why I gave it four stars) is that the quantity of grammatical errors is pretty high in this book. I can expect one or two in a professionally published book, but even a self-published book needs to be proofread before being putting out there. There are at least three or four sentences in every chapter that make no sense. Of course, you can figure out what the author meant but when the grammatical errors are so numerous that a reader actively gets distracted by them, that's too many errors.
I used to read Alan Sepinwall's summaries and reviews of NYPD Blue almost twenty years ago, and I was always impressed with how clearly he wrote and conveyed his ideas, and how insightful he was into the characters, dialogue, and story of the subject he was addressing.This book is no different. If anything, Sepinwall has grown as a writer. His insight is clear, and his ideas make sense.I had the luxury of having watched some of the series he discusses and not having watched others. Reading about both was a pleasure. He took me down memory lane on some, and it was like talking about old friends (or in some cases, old enemies!). He captured exactly WHY I loved The Sopranos and The Wire. But he was also able to make me want to try Oz, Deadwood, and Mad Men, because his discussion of those yet unseen (by me) programs sparked curiosity.Having been a cop for twenty years and now a writer (crime fiction), there are plenty of things I could be critical of in a program, or a book like this. But the programs that Sepinwall highlighted were the right ones. They mattered. When I watched them, I didn't find things to nit pick. Instead, I found things to celebrate. Sepinwall takes those things and puts them on display for discussion. Likewise, there was nothing to nit pick in this book. Instead of being a vacuous book length TV Guide feature, it was a meaningful, deep, accurate examination of some of the best shows ever to grace the small screen.
Sepinwall details the behind the scenes stories of twelve TV series that "changed TV drama forever." Each of the twelve series gets a chapter. At it's best, particularly in the chapters about The Sopranos and The Wire, Sepinwall adds insights to the broader meaning of the series in American culture that added to my perspective on the series. Many of the chapters also have hidden gems and if, like me, you watched some of the series years ago, reading them is like reading about an old friend.There is a bit too much insider baseball throughout the book. Names of producers and writers come and go in each chapter (and sometime reappear in later chapters) and the lack of an index makes it hard to remember who is who. Also on the minor quibble side, I disagreed with the inclusion of Oz in the book. While it may be a precursor to some of the other shows, I felt it devolved into farce by the second or third season and became unwatchable at that point. None of the other series (I've seen 7 of the other 11) have this quality.But if you have lived through these series, which really did change TV drama, this is by and large a very good read.
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